How to interpret and apply professional garment specifications in pattern drafting.
The process of pattern cutting a complete unlined garment (e.g. a jacket) using a standard size 12 block.
Techniques for creating patterns for intermediate-level garment features including collars, hoods, sleeves, ruffles, pleats, flounces, and fastenings.
The role of visual language, proportions, and annotations in technical drawings and how these guide pattern cutting decisions.
Considerations for inside finishes, seam construction, and how patterns affect garment manufacturing.
How to translate 2D technical drawings into accurate, functional pattern pieces.
Understanding the communication flow between designers, pattern cutters, and manufacturers.
Strategies for improving precision and accuracy in pattern construction.
Enhanced confidence in drafting and adapting intermediate garment patterns.
The ability to work with industry-standard garment blocks and tools.
Practical experience interpreting technical design specifications for real-world application.
Improved problem-solving and attention to detail in pattern work.
Stronger understanding of how design intent impacts garment construction and finish.
Preparation for working more independently on design-to-pattern processes.
Insights into professional pattern cutting workflows and garment development cycles.
Expanded portfolio with intermediate-level pattern work suitable for professional presentation.
Individuals who have completed a beginner-level pattern cutting course and want to progress.
Home sewers with experience working from commercial patterns looking to draft their own.
Professionals in fashion, costume, or retail seeking to deepen technical garment pattern cutting skills.
Fashion marketing, buying, or business students whose courses haven’t covered practical or technical aspects.
Anyone with basic pattern cutting experience ready to explore more advanced techniques.
Elaine Evans is a Senior Teaching Fellow in Fashion Design at the School of Design and Programme Leader for the BA (Hons) Fashion Design programme. Specialising in garment technology, construction, and pattern cutting, she integrates hands-on expertise into teaching across undergraduate and postgraduate levels. Elaine also plays a pivotal role in managing the Yorkshire Fashion Archive, embedding its rich historical resources into teaching, research, and fostering student engagement.
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